stuck to blog surfing

claire-wiltsher -   arline jernigan

 alison scarpulla  -   

guston

i suddenly feel a connection to him

i need to blow off steam

beatrice     -     verginer     -     missed connections

oceans

além da habilidade técnica (porque são poucos os que praticam o suficiente para chegar a esse nível)
o que mais me chama atenção nas pinturas de Louise LeBourgeois (nome infortuno....pq?) é o olhar admirador para o que aparenta ser o "nada".

attention to color and detail-impressionists roots

the background is hipnotizing!

found here

daily ambitions

 (oh the brushwork and the transparency!)

Jenni Rope    -    Mitchell Spider    -    Noel Camardo

is there such a thing as a healthy ambition? if there is i want some

entirely free wednesday

   DAVID-DIMICHELE   -   LISSY ELLE   -   MITCHEL SPIDER   -   OOLI MOS  
i don't know where i got the last one from

istilllovepainting

JOSHUA BRONAUGH

reminds me a lot of Alex Kanevsky, but when you look through all of his work you can see they only have a few things in common.

dripping

the fact that its a portrait is what makes it the most interesting.
the dripping says a lot about the painter and adds character to the portayed.

John Copeland painted this. Found via thestrangeattractor

scattered things ive saved

BRUEGEL - KANEVSKY - CAMARA PEREIRA - unknown- BURLE MARX
some of them idk where i got it from

COLLAGIST FIND

i love how the artist works with few figures but the expressiveness of each makes up for the open spaces. actually, his choice of leaving a lot of negative space is one of the things that atract me the most. the cut work is also very interesting, how he deforms the bodies and lets us see them a little weird, which is how we should all look at the world, a little off its axis. i cant express how much the lack of faces intrigues me, theres something about art in search of identity that hugs me. i can relate this to my art when i have the urge to cover a face or to paint over it. the anonimity of the body also lets us indulge more in the composition of his forms and colors. he´s one of the artists who´s allowing me to believe that its ok to have one figure in the center. for some reason i have always wanted to keep it there, but felt it was wrong. im figuring out nothing is ever wrong, at least in art.

the artistJAMES GALLAGHER

whats most interesting is how he sets them up, and some of their sizes: