sim, quero ser professora. todos já somos profesores e alunos natos. não precisamos nos denominar de tal para ensinar ou aprender.......
mas, mais do que o ato de ensinar, me interesso pelos efeitos que a forma e conteúdo do ensino tem sobre a vida de cada aprendiz.
qualquer um que deseja romper das repetições e monotonia do cotidiano para inventar, mobilizar, sonhar...precisa primeiro desfazer todos os efeitos que o ensino formal teve sobre ele. Então, na verdade, o nosso ensino atrasa o desenvolvimento do ser humano e abafa...esmaga a nossa criatividade. Triste, neh?
"A ordem da obra de arte é a mesma de uma sociedade imperial e teocrática; as regras de leitura são regras de um governo autoritário, que guiam o homem em cada um dos seus atos, prescrevendo-lhe os fins e oferecendo-lhe os meios para realizá-los."
ECO, Umberto Obra Aberta, Ed. Perspectiva, 1997 p.44
CURY, Augusto O Mestre da Sensibilidade, Academia de Inteligência, 2000
p.23
"Ao que tudo indica, o homem do séc. XXI será menos criativo do que o do séc. XX. Há um clima no ar que denuncia que os homens do futuro serão repetidores de informação e não pensadores. Será um homem com mais capacidade de dar respostas lógicas, mas com menos capacidade de dar respostas para a vida, ou seja, com menos capacidade de superar seus desafios, de contemplar o belo, de lidar com suas dores, enfrentar as contradições da existência e perceber os sentimentos mais ocultos das pessoas. Infelizmente, será um homem com menos capacidade de proteger a sua emoção e com mais possibilidade de se expor a doenças psíquicas e psicossomáticas."
p.36-7
"Aprender a construir uma liberdade com consciência crítica, a proteger a emoção e a desenvolver a capacidade de ver o mundo também com os olhos dos outros são funções importantíssimas da inteligência, mas tem sido pouco desenvolvidas no mundo democrático...A mínima ofensa, contrariedade e perda, detonamos o gatilho instintivo da agressividade."
p.38
"Se só conseguimos ouvir o que as palavras acusam, não temos sensibilidade, somos mecanicistas."
p.56
"A rigidez é o câncer da alma. Ela não apenas fere os outros, mas pode se tornar a mais drástica ferramenta autodestrutiva do homem...As pessoas que acham que seu problema não tem solução criam uma barreira intransponível dentro de si mesmas. Assim, até doenças tratáveis, como as depressão, o transtorno obsessivo e a síndrome do pânico, se tornam resistentes.
Não importa o tamanho do nosso problema, mas a maneira como o vemos e o enfrentamos. Precisamos desengessar nossas inteligências e enxergar as pessoas, os conflitos sociais e as dificuldades da vida sem medo, de maneira aberta e multifocal."
Showing posts with label loose thoughts. Show all posts
Showing posts with label loose thoughts. Show all posts
20 October 2011
30 June 2011
talk about texture!
i havent seen anything this enchanting in a while. sometimes the fact that im surrounded by realistic art the whole time distracts me from wanting to come up with completely abstract things. we get so used to whats around us that we have to try so hard to keep true to our own desires and make our own unique discoveries. she´s rough with texture and gentle with color, simply wonderful.
28 May 2011
Sentences on Conceptual Art
(1968)
Sol Lewitt
found here
1) Conceptual Artists are mystics rather than rationalists. They leap to conclusions that logic cannot reach.
2) Rational judgments repeat rational judgments.
3) Illogical judgments lead to new experience.
4) Formal art is essentially rational.
5) Irrational thoughts should be followed absolutely and logically.
6) If the artist changes his mind midway through the execution of the piece he compromises the result and repeats past results.
7) The artist’s will is secondary to the process he initiates from idea to completion. His willfulness may only be ego.
8) When words such as painting and sculpture are used, they connote a whole tradition and imply a consequent acceptance of this tradition, thus placing limitations on the artist who would be reluctant to make art that goes beyond the limitations.
9) The concept and idea are different. The former implies a general direction while the latter is the component. Ideas implement the concept.
10) Ideas alone can be works of art; they are in a chain of development that may eventually find some form. All ideas need not be made physical.
11) Ideas do not necessarily proceed in logical order. They may set one off in unexpected directions but an idea must necessarily be completed in the mind before the next one is formed.
12) For each work of art that becomes physical there are many variations that do not.
13) A work of art may be understood as a conductor from the artists’ mind to the viewers. But it may never reach the viewer, or it may never leave the artists’ mind.
14) The words of one artist to another may induce a chain of ideas, if they share the same concept.
15) Since no form is intrinsically superior to another, the artist may use any form, from an expression of words (written or spoken) to physical reality, equally.
16) If words are used, and they proceed from ideas about art, then they are art and not literature, numbers are not mathematics.
17) All ideas are art if they are concerned with art and fall within the conventions of art.
18) One usually understands the art of the past by applying the conventions of the present thus misunderstanding the art of the past.
19) The conventions of art are altered by works of art.
20) Successful art changes our understanding of the conventions by altering our perceptions.
21) Perception of ideas leads to new ideas.
22) The artist cannot imagine his art, and cannot perceive it until it is complete.
23) One artist may misperceive (understand it differently from the artist) a work of art but still be set off in his own chain of thought by that misconstruing.
24) Perception is subjective.
25) The artist may not necessarily understand his own art. His perception is neither better nor worse than that of others.
26) An artist may perceive the art of others better than his own.
27) The concept of a work of art may involve the matter of the piece or the process in which it is made.
28) Once the idea of the piece is established in the artist’s mind and the final form is decided, the process is carried out blindly. There are many side effects that the artist cannot imagine. These may be used as ideas for new works.
29) The process is mechanical and should not be tampered with. It should run its course.
30) There are many elements involved in a work of art. The most important are the most obvious.
31) If an artist uses the same form in a group of works and changes the material, one would assume the artist’s concept involved the material.
32) Banal ideas cannot be rescued by beautiful execution.
33) It is difficult to bungle a good idea.
34) When an artist learns his craft too well he makes slick art.
Sol Lewitt
found here
1) Conceptual Artists are mystics rather than rationalists. They leap to conclusions that logic cannot reach.
2) Rational judgments repeat rational judgments.
3) Illogical judgments lead to new experience.
4) Formal art is essentially rational.
5) Irrational thoughts should be followed absolutely and logically.
6) If the artist changes his mind midway through the execution of the piece he compromises the result and repeats past results.
7) The artist’s will is secondary to the process he initiates from idea to completion. His willfulness may only be ego.
8) When words such as painting and sculpture are used, they connote a whole tradition and imply a consequent acceptance of this tradition, thus placing limitations on the artist who would be reluctant to make art that goes beyond the limitations.
9) The concept and idea are different. The former implies a general direction while the latter is the component. Ideas implement the concept.
10) Ideas alone can be works of art; they are in a chain of development that may eventually find some form. All ideas need not be made physical.
11) Ideas do not necessarily proceed in logical order. They may set one off in unexpected directions but an idea must necessarily be completed in the mind before the next one is formed.
12) For each work of art that becomes physical there are many variations that do not.
13) A work of art may be understood as a conductor from the artists’ mind to the viewers. But it may never reach the viewer, or it may never leave the artists’ mind.
14) The words of one artist to another may induce a chain of ideas, if they share the same concept.
15) Since no form is intrinsically superior to another, the artist may use any form, from an expression of words (written or spoken) to physical reality, equally.
16) If words are used, and they proceed from ideas about art, then they are art and not literature, numbers are not mathematics.
17) All ideas are art if they are concerned with art and fall within the conventions of art.
18) One usually understands the art of the past by applying the conventions of the present thus misunderstanding the art of the past.
19) The conventions of art are altered by works of art.
20) Successful art changes our understanding of the conventions by altering our perceptions.
21) Perception of ideas leads to new ideas.
22) The artist cannot imagine his art, and cannot perceive it until it is complete.
23) One artist may misperceive (understand it differently from the artist) a work of art but still be set off in his own chain of thought by that misconstruing.
24) Perception is subjective.
25) The artist may not necessarily understand his own art. His perception is neither better nor worse than that of others.
26) An artist may perceive the art of others better than his own.
27) The concept of a work of art may involve the matter of the piece or the process in which it is made.
28) Once the idea of the piece is established in the artist’s mind and the final form is decided, the process is carried out blindly. There are many side effects that the artist cannot imagine. These may be used as ideas for new works.
29) The process is mechanical and should not be tampered with. It should run its course.
30) There are many elements involved in a work of art. The most important are the most obvious.
31) If an artist uses the same form in a group of works and changes the material, one would assume the artist’s concept involved the material.
32) Banal ideas cannot be rescued by beautiful execution.
33) It is difficult to bungle a good idea.
34) When an artist learns his craft too well he makes slick art.
35) These sentences comment on art, but are not art.
21 April 2011
tapies
borrowed from here not a Tapies and not a painting
it's a wittily photographed wall
it's a wittily photographed wall
here
here
im being a good girl and researching the artists my teacher told me about that can help me with my work. one of them is Antoni Tapies. i found some fragments of his work online, chose some i relate to most. i like the chaotic look of strokes and meaningless elements lying around. its interesting when they communicate with each other, funny thing is that as chaotic as they are, all of these feel very harmonized to me. it doesnts bother me. i dont like looking at something that bothers me, although that seems to be what some people want to accomplish with their art. still valid, but not what im going for. right now im just researching how color and forms can relate to each other without having to simbolize something or look like something. i just want them to have a long and interesting talk and be friends.
01 December 2010
hello there
Don’t let anyone deter you from any personal or professional goals, no matter how lofty or grandiose they are.
i have tons of new years resolutions.
"Representar, como reconhecer e recordar, é um ato que faz uso das experiências dos criadores, de sua cultura, aprendizagem e habilidades artísticas, de seus pensamentos, estados de espírito e disposições emocionais." SCHAPIRO, Meyer. Impressionismo, 2002
i have tons of new years resolutions.
"Representar, como reconhecer e recordar, é um ato que faz uso das experiências dos criadores, de sua cultura, aprendizagem e habilidades artísticas, de seus pensamentos, estados de espírito e disposições emocionais." SCHAPIRO, Meyer. Impressionismo, 2002
28 May 2010
11 May 2010
butterpillar - catterfly
" Dos diversos instrumentos do homem, o mais assombroso é, indubitavelmente, o livro. Os outros são extensões do corpo. O microscópio e o telescópio são extensões da vista; o telefone é o prolongamento da voz; seguem-se o arado e a espada, extensões do seu braço. Mas o livro é outra coisa: o livro é uma extensão da memória e da imaginação. "
Borges, Oral - Jorge Luís Borges
Borges, Oral - Jorge Luís Borges
drawing class is getting interesting
finally, we're using light
------------------------------------------------------------------------------------------
i feel im changing. thats a good thing. im so glad. i want to grow and change always. i never want to be at the same spot for too long.
04 May 2010
animal my SOUL
i tell myself to ignore anything that may keep me out of focus,
but am i really ever focused?
i am beggining to doubt that.
maybe what i meant to myself was
my focus in a bright future.
i tend to let anything get in the way,
it makes me think its because i dont really want anything so bad
that makes me work so hard for it.
that makes me insecure and scared.
im turning 20 in a month and i dont know what im doing.
i know a lot of people live their life without knowing,
but somehow that freaks me out.
waking up everyday to horrible news about death, rapes, car accidents and every other freak accident is beggining to scare the shit out of me.
when its sunny outside everything seems better, but all this rain gives the city a really bad smell and a creppy vibe.
i rush though everything when im not home.
i come in late and leave class early everyday because i dont want to be outside.
not that im paranoid, but its giving me such a negative feeling, an urge to leave, i know i cant now, so that only makes me feel worse.
theres no use in discussing something like this.
its one of those things everyone dismisses as stupid or unecessary.
the best you can do is shut up and live with it.
i guess i understand now why brazilians are so happy looking all the time.
they do it to cover up the fact that theyve lost hope in change.
theyve learned to live with all this stress and the best they can do is ignore it all and live their lives the best they can.
maybe this was realized by an earlier generation, and it all got lost through time and now no one really knows whats behind all the partying and living life at ease.
i rather not get involved,
i wanna be the oil in this body of water.
im mixed right now but eventually
ill come out on top.
watch=yFmTeGuhPa8
16 April 2010
right now its marc chagall and illustrations
i feel im refining my taste, i have always felt a bit lost when it comes to liking things and never really knew how to find those special details in a piece. right now im in love with the feeling a chagall gives me, how his figues seem weightless and boneless, thats how i want to feel and what i want to transmit through my work. Plus, im really into illustrations right now. I was on amazon and ran into some childrens books, i like them mostly because of the drawings, even though some have amusing stories. Anne Herbauts drawings are so interesting, they are all very huggable. While Beatrice Alemagna creates such beautiful images, they just blow me away completely, i doubt i grew up surrounded by beutiful drawings, i dont remember my books being so gracious as these. I also have been loving Julia Pott's illus for a while now.
11 March 2010
so annoying
Some things are understood. People have no right to share you business. They have to keep their mouth shut even if you didn't ask them to.
07 March 2010
arthur is an inspiration
good things can come from watching cartoons (old ones at least)
Everyday when you're walking down the street
And everybody that you meet
Has an original point of view
And I say HEY! (HEY!)
What a wonderful kind of day.
If you can learn to work and play
And get along with each other
You got to listen to your heart
Listen to the beat
Listen to the rhythm
The rhythm of the street
Open up your eyes
Open up your ears
Get together and make things better
By working together!
It's a simple message and it comes from the heart
Believe in this (And in yourself)
For that's the place to start (to start)
And I say HEY! (HEY!)
What a wonderful kind of day
If we can learn to work and play
And get along with each other.
Hey what a wonderful kind of day hey!
Everyday when you're walking down the street
And everybody that you meet
Has an original point of view
And I say HEY! (HEY!)
What a wonderful kind of day.
If you can learn to work and play
And get along with each other
You got to listen to your heart
Listen to the beat
Listen to the rhythm
The rhythm of the street
Open up your eyes
Open up your ears
Get together and make things better
By working together!
It's a simple message and it comes from the heart
Believe in this (And in yourself)
For that's the place to start (to start)
And I say HEY! (HEY!)
What a wonderful kind of day
If we can learn to work and play
And get along with each other.
Hey what a wonderful kind of day hey!
06 March 2010
quem disse que nada sou nunca existiu
...O VAZIO É UM SINAL DO COMEÇO DE UMA ILUSÃO SEM RITMO...
-meu tema dos proximos meses
estou ainda no início das minhas descobertas artísticas. sinto muita ansiedade e por isso tenho dificuldade de trabalhar, pois acabo abandonando antes mesmo de começar. Tenho que superar o meu medo do desconhecido, assim como todos os grandes artistas, tenho que enfrentar o diferente, se não for assim--não serei o que espero ser.
vou fazer:
uma página do livro de uma artista---Keri Smith---
uma extensão de suas ideas---aqui---
IRRELEVANTE*
-foundshit.com tem varias fotos legais
(pelas fotos que botei ao lado Fayga e Clarice poderiam ter sido irmãs)
-meu tema dos proximos meses
estou ainda no início das minhas descobertas artísticas. sinto muita ansiedade e por isso tenho dificuldade de trabalhar, pois acabo abandonando antes mesmo de começar. Tenho que superar o meu medo do desconhecido, assim como todos os grandes artistas, tenho que enfrentar o diferente, se não for assim--não serei o que espero ser.
vou fazer:
uma página do livro de uma artista---Keri Smith---
uma extensão de suas ideas---aqui---
IRRELEVANTE*
-foundshit.com tem varias fotos legais
(pelas fotos que botei ao lado Fayga e Clarice poderiam ter sido irmãs)
10 February 2010
Evolução
Estou naquela fase de sentir uma urgência para mudança. Vamos dizer que a cada 4 meses sinto uma vontade de me reinventar. Acho que tem haver com a minha falta de paciência e gosto pelo novo. Me entedio das coisas muito fácil. Quero cortar meu cabelo, pintá-lo, vestir roupas diferentes, escutar musicas diferentes, agir diferente e até conhecer pessoas novas ( com idéias diferentes, paixões diferentes, etc.)- frequentar lugares diferentes...com pessoas diferentes. Não que não quera ser eu, estou sendo eu quando faço isso. Se não faço, me sinto uma fraca, sem coragem. Esta na hora da mudança. Acho que puxei aos meus pais porque até eles já se entediaram dessa casa, vamos vendê-la e nos mudar para um lugar mais perto do trabalho e faculdade. Gosto de mudança, mesmo se tenho uma dificuldade de adaptar quando não é a mudança por escolha.
Gosto de escutar música neste site AOL Online Radio .
é só apertar em Listen Now e você escolhe que tipo de música sintonizar. Eu sempre escuto as décadas de 50 e 60. Me faz sentir feliz por ter existido um tempo tão aparentemente inocente.
Cabelos com atitudes que me chamam atenção- cada uma delas tem um estilo bem diferente, mas que eu acho inspirador. Se existisse faria um corte que expressase todos estes ao mesmo tempo.
Gosto de escutar música neste site AOL Online Radio .
é só apertar em Listen Now e você escolhe que tipo de música sintonizar. Eu sempre escuto as décadas de 50 e 60. Me faz sentir feliz por ter existido um tempo tão aparentemente inocente.
Cabelos com atitudes que me chamam atenção- cada uma delas tem um estilo bem diferente, mas que eu acho inspirador. Se existisse faria um corte que expressase todos estes ao mesmo tempo.
Credits- muito Google search
09 February 2010
life and living
Everyday i try some new approach to life, like changing my attitude, analysing my actions or screening my thoughts. Actually, i try all that probably at the same time all the time. I just know things have to change for me. I'm a big complainer and im a bit lazy. I know its a JUST DO IT situation, but its the kind that i tell myself 'stop and do' and i stop and sit instead. So i found this interesting website (tinybuddha), which says a lot of things that i already knew, but never read altogether. It gives you 30 ways to live your life OUT LOUD. Meaning: taking risks, fulfilling dreams, being happy etc. in other words living life the way it is meant to be lived- with no bounderies.
08 February 2010
Weird and Nice Simultaneously
There's something about music made with only one instrument. It allows us to notice the artists voice more and listen to the lyrics more carefully, i like her.
06 February 2010
27 January 2010
09 January 2010
15 December 2009
ive been working on a railroad
im getting french 2
im getting that exchange program
im getting that trip
im getting that laptop
im getting that comfy room
im getting those big ideas
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